A Grand Tribute to Tim Delaney - Part Three: HKDL Tomorrowland - Exclusive Interview



Today, here is the third part of my tribute to Tim Delaney. In this exclusive interview Tim talks about the design of Hong Kong Disneyland's Tomorrowland as Tim was the show producer of this land. As we know, Tim Delaney was previously the show producer of Discoveryland at Disneyland Paris and for Paradise Pier at California Adventure. Please note that this interview was done for the opening of HKDL, before the opening of Autopia and Stitch encounter.

Alain Littaye: Tim, as we know, you were the show producer of Discoveryland at Disneyland Paris. At DLP the theme of Discoveryland was supposed to be the land of visionaries, and here in Hong Kong the theme is probably different. So, what is the story line of Hong Kong Disneyland’s Tomorrowland ?

Tim Delaney: Well, we wanted to create here something totally different, our biggest challenge was how to create something that is not only tomorrow, but also something that is timeless. So, we took the theme in this particular case of a “spaceport”. All of our attractions relate to space travels: we have Space Mountain, Buzz Lightyear, the Orbitron - this last one with a totally different style than the one at DLP.








The picture below showsa previous sketch for a Tomorrowland concept finally not chosen.



T.D : So we took the idea of a space port ,we have different style of architecture...it’s a kind of space encampment, a space port where you go when you journey to other planets. We have two very large restaurants, the big restaurant called “starliner diner” have a rocket ship in the front and it’s a place where you go before you go in outer space: there is big posters of space travel inside, we have rockets, etc...this is a place where you go to have lunch and food before you go up to your journey into space mountain and buzz light year...It’s also one of the largest restaurant we ever built in a Tomorrowland with an incredible design















T.D: Throughout the land we’re using these motifs of these planets and an alien landscape to make you feel that you are in another world...You have to see the style of the buildings to see how it looks like. It’s not mean to look like in the fifties, like disneyland was in 1955, it has much more of an organic field to it. We are also using a lot of colours in the land, and the reason for that is that most of the time Hong Kong have grey skies and humid, so we wanted these colours to bring a kind of more of a familiar quality to our Tomorrowland. Secondly, about landscaping, we have a lot of landscaping in covered areas, so we create a sense of the future and tomorrow with more human kind of space.

A.L: I’m pretty sure the design with all these planets is probably beautiful at night...

T.D: It is magnificent, spectacular at night !



Jump to D&M article to read Tim Delaney's full interview here:

Disney and more: A Grand Tribute to Tim Delaney - Part Three: HKDL Tomorrowland - Exclusive Interview