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When Michael Eisner, a typical victim of the Edifice Complex, set about building EuroDisney he recruited every famous architect he could get his hands on, and insisted on selecting every door knob, tap and wash basin himself. Aldo Rossi, the leading Italian architect of his generation, resigned, and wrote to Eisner reminding him that the last time an Italian architect had this much trouble in Paris, it was Bernini, working for the King of France. 'Clearly I am not Bernini,' he said, 'but unfortunately you seem to believe that you are the King of France.'
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