Pixarlandia: Disney’s Response to Potter’s Wizarding World
Just prior to the official public announcement of the Wizarding World of
Harry Potter, the upcoming land inside Universal’s Islands of Adventure (IOA), I
shared my enthusiasm that it will be an interesting time to be a theme park fan.
Disney, I was confident, would not let this concept from Universal go
unanswered. What with Wizarding World, the Simpsons ride, and the new Blue Man
Group show, Universal was really shaking up the marketplace. I devoted a little
time over ensuing columns to arguing that Disney should court Lucas more heavily
and really increase the Star Wars presence in the parks.
While I don’t discount the possibility of a Lucasland in the future, and
certainly hope Disney keeps pursuing the idea, it looks like Disney’s main
response to Potter will come in the form of Pixar. Specifically, to a Pixar land
at the Disney-MGM Studios. The idea has been floated before in a few message
forums—I’m not the first to break this news—but the full extent of this addition
may not have been obvious to readers of these posts.
At first, it looked like we were talking about the former Mickey Avenue (the
zone from Who Wants to be a Millionaire over to Meet Mickey) would be re-themed
to Pixar once Toy Story Mania opened up. That made sense. The area is kind of
non-descript right now anyway, so why not flesh it out with some additional
decorations to look like Pixar, and change out the meet and greet opportunities
to include Pixar characters? (There’s already a meet-Mike and Sully over by the
ABC Commissary).
Except what I’ve heard recently goes much, much further. Imagine the Backlot
Tour closing, and that entire land space given over to the Pixar land (or
Pixarlandia, as I wish they would call it, in honor of Disneyland’s original
moniker during the planning stages. Actually, the true name is Pixar Studios, as
was detailed on paperwork filed with the county a few weeks ago testifies). If
they demolish the rest of Mickey Avenue, except the new Toy Story Mania, that
would open up some land. If they tear down the queue buildings and prop
warehouse for Backlot Tour, that would open up even more.
Time to squeeze in a few more rides on the
Backlot Tour before it glows away forever.
They could tear down Catastrophe Canyon and harvest even more space,
including the land going out to there, especially if they veer into
currently-backstage areas off to the side. The unload and post-show areas of
Backlot Tour also eat up a lot of space, and as long as you’re demolishing those
buildings, why not kill off the Honey I Shrunk kids play area and the Studio
Catering Company eatery also? And as long as you’re making a gigantic land, why
not start off earlier than Toy Story Mania, and use the area occupied by Narnia
and One Man’s Dream to be Pixar-themed too? That way, there could be a seamless
blend from Disney animation on one end, in the form of the Mermaid show, the
Animation building, and the Playhouse Disney stage that really should be turned
in to something else befitting Disney animation (after all, as one of you
readers pointed out to me, most of the shows celebrated in the current stage
show no longer air on Playhouse Disney!) After the Disney section, the Pixar
section could pick up instantly. While they will keep the buildings housing One
Man’s Dream and Narnia, I hope they repackage that space to make it Pixar-related.
The rest of Pixar Studios could well look very different from what we see
now. With the exception of the Toy Story Mania building, which isn’t even done
yet, I’m hoping they end up razing everything and building from scratch. All
that land they harness could even exceed the touted 20 acres of Potter’s
Wizarding World. Universal is taking pains to point out that Wizarding World
will be a "park within a park." They don’t mean that it will have a separate
admission ticket, but they mean there will be zones or regions to the Wizarding
World (specifically, Hogwart’s, the Forbidden Forest, etc.) If Disney follows
Universal’s lead, expect Pixar Studios to be a "park within a park" also. That
could be as simple as creating lands for each of the Pixar movies. Toy Story is
obvious, given the Toy Story Mania. Does that mean Pizza Planet will move from
its home by the Muppets?
The Earful Tower(s) and the practice ground
for Lights Motors Action currently
occupy this space. I wonder how many other precious acres could
be reclaimed if they ditched the car show, too?
But why not have other "lands" here? The kids playground could easily be
themed to A Bug’s Life, and probably utilize many of the same sets with some
modifications. You’ve got Monsters Inc. offering the chance to build a miniature
Monstropolis. Why not use the Soarin’ technology to simulate the chase atop
doors through the factory? If the wait times are any indication, Soarin’ is the
most popular ride at Walt Disney World, and Disney-MGM could certainly use a
ride with that technology.
The Incredibles would be neat to see here, perhaps on the island. I would
squeal with delight if they found a way to build the pod monorails scooting
about the place. That would yield some kinetics to Pixar Studios to rival Walt’s
1967 Tomorrowland. With the loss of the Kuka arm technology to Universal, we may
not see an E-Ticket thrill ride on the Incredibles, but I’d opt for a monorail
pod tour of Pixar Studios any day anyway.
Cars is a no-brainer: just bring over the Carsland concept from DCA for a
desert racetrack that uses the Test Track technology. Voila, instant E-Ticket.
You’d need a lot of land for this, and they’d have to dig deep into the
infrastructure behind the park to find room. Frankly, that would mean tearing
down the producer-bungalows out back, and really giving up on the idea that
movie and TV production could take place at this park. It would mean,
essentially, throwing in the towel on the conceit no one buys any more anyway.
Obviously, it would be worth it in my book. I’d even demolish the parking
structure they have back here and yield even more space.
The parking garage and some backstage
buildings.
The park’s footprint is too small for much expansion, UNLESS they are willing
to move/demolish some of this infrastructure in the back. And if they do,
suddenly there is tons of space. Including enough for Carsland. Nemo is equally
easy: just bring over the well-received indoor wild-mouse coaster from Disney
Studios Paris, themed to Crush and his EAC. Then flesh out the area with a
themed indoor kids zone, not unlike Mermaid Lagoon from Tokyo Disney Sea, and
the small rides to match.
And here’s an idea that is in violation of the "hub" concept and will result
in more tired feet by the end of the day: what if Pixar Studios was only
accessible from Animation Courtyard, meaning they close access from the Streets
of America side? Yes, there would be less mobility and more of a bottleneck. But
you’d gain a real sense that Pixar Studios is a "park within a park," because it
would have only one entrance/exit.
The unload area (above) and
the Villains post-show (below) also take up precious space.
The specific rides outlined above are not rumors that have been passed on to
me; they are me speculating. That a Pixar land is coming is more certain,
however. Interestingly, we may all have gotten the name change of the park
wrong. Disney recently insisted to the press that the park name will remain
Disney-MGM Studios, though one land was going to be renamed for Pixar. That
jibes with paperwork filed with the county recently, too. But I have a sneaking
suspicion that there was more to this than meets the eye. The park’s name really
was slated to be changed.
If indeed the park’s name is now remaining, could it be that someone high up
on the food chain doesn’t want to lock in the park’s identity as just Pixar...
and wishes to leave room for something else? Something like... Lucas?
It’s fairly well-known that Iger got the strained relationship with Steve
Jobs fixed, and Disney landed Pixar. Eisner had managed to distance George Lucas
as well, and could it be that Iger (or perhaps Lasseter?) is now wooing Lucas
the way Jobs was courted? Are they leaving room for the park to take on a dual
identity: Pixar on the one side of the park, and Lucas on the other? We can but
hope. And send our support to this way of thinking. Should the studios park
become half Pixar and half Star Wars (while leaving the front sections and the
thrill rides off to the side themed to 1930s Hollywood), they’d honestly have to
build a parking structure out front, because the parking lots would be full by
noon. I’d be here every week.
More backstage area on the way out to
Catastrophe Canyon.
The Backlot Tour occupies a lot of acreage!
Moving away from the Lucas future, which is not yet certain, and looking back
to the Pixar update that we know is coming, we can see another interesting
concept. Not content to merely answer Universal’s volley of Potter with their
own "park within a park," Disney may even be thinking of having an answer to the
Blue Man Group. I admit the idea seems wacky to me, but I’ve heard it floated
that they may be looking at a separate-admission Broadway-caliber show in (or
next to) Pixar Studios to be themed to the Pixar characters. I have a hard time
seeing a musical revue of these characters really coming together for a
compelling show, but I’ve learned to trust John Lasseter implicitly. If this
goes forward, I’ll know to expect quality.
Disney is probably keen to duplicate the idea of a separate-pay show right
next to the theme parks. Cirque du Soleil’s La Nouba at Downtown Disney
will likely be closing soon, and though it was hardly a business failure, it
never really attracted the kind of ticket sales that would have been hoped. This
is partly the fault of location: Downtown Disney was a good concept on paper and
as it was expanded it seemed to make sense that 100,000 people per night might
descend on this place, but the crowds which materialize to this day are more
modest. Having a separate-admission show right next to a theme park might
actually capture more tourists, since they wouldn’t have to travel far to be
enticed to come sit and watch after their tiring day in the park.
Look for all of this to be announced in February or March of 2008, when Toy
Story Mania has its press opening. Disney can then leverage the Pixar topic to
maximal benefit, and loudly trumpet that a whole new Pixar "park within a park"
is on its way.
Al Lutz's April Fools piece
this year had a Latino-themed Pixarlandia debuting as
Anaheim's third park. Even Ratatouille got retooled for that demographic.
On Disney message boards, one occasionally encounters vitriol about the Pixar
characters; there are purists out there who would rather see the Disney parks
only use characters from Disney-branded movies. Apart from the argument that
Disney now owns Pixar, I would point out that the source matters less than the
format. I object (mildly) to Star Wars and Indiana Jones encroaching on the
Disneyland/Magic Kingdom concept because those parks were originally meant to be
realistic—based on locations and epochs, not specific movie backstories. The
only exception was Fantasyland, where Disney animated films provided the
inspiration. These days, I conflate Disney and Pixar as merely animated films,
and I find it OK to have animation provide the backstory. That’s doubly true in
a studio-themed park. Heck, good stories are good stories, and Pixar outshines
modern Disney, in my mind.
Will Pixar Studios be enough to outshine Wizarding World’s "park within a
park"? As always, it depends on execution, and I mean that for both sides here.
If Universal executes with tremendous panache and high-level theming AND
provides more than just one new ride, Pixar Studios’s task will be much harder.
Even then, Lasseter can succeed in building something better. If Pixar Studios
offers completely immersive environments (please please PLEASE let it not be the
fake-Hollywood-we’re-filming-today variety), it could be... pardon the pun...
Incredible. But if they skimp on costs, it will show. If they keep existing
buildings and just try to repurpose them, it will be unconvincing.
For now I trust in John Lasseter (some folks are calling him Uncle John), as
he’s never yet disappointed a single time, and has the industry’s current best
batting average. After all, Pixar Studios does have the box office receipts to
defeat Potter. When I put up some box office comparisons a few weeks ago to
argue for Star Wars as an answer to Potter, I was thinking of single movies
alone. The Pixar canon, meanwhile, does collectively offer enough firepower to
take on Potter. If—and this is a big if—they do it right. Everything depends on
execution. |